Arxiu/ARXIU 2010/JA TARDES 2010/
Transcribed podcasts: 243
Time transcribed: 5d 9h 30m 41s
This graph shows how many times the word ______ has been mentioned throughout the history of the program.
For me, the most important thing was to have a very free, willing way of working
and to skip the states and not reproduce like a storyboard or a script,
but each time reinvent things and really look at the situation
and then feel, no, this feels not good, let's change it and make it lively again.
And I throw a lot of things away.
I think it's important to throw things away, to throw ideas away and make it again while you see it.
So, therefore, I worked with the DOP, the DOP was very important for me
because I didn't want to have artificial light in the movie
because I worked with mainly dancers, they're famous top dancers,
and I wanted them to be free.
And body language was very important.
And to give him this space, I found this wonderful DOP
who allowed me to work without lightning.
and I wanted to do the other moments of utilizing.
Exactly.
Absolutely.
So, let's give them a look at this classroom.
It still needs a sound.
Thank you.
Thank you, Aviera.
I want to see you back at the Institute of Study Matices.
Thanks for listening.
Amazing.
So those womenĂ oers will be in partnership with another virus,
another virus that's PC through princess souber.
Yes, they'll catch them together as well.
Yes, it's for the new election morning.
Is there any new window in this water?
Yes.
I feel a happy right after this project through this project.
You do need a hug.
No, yes.
Yeah.
Yeah.
Thank you to kelpado very much danger