Després d'aneré a mi per a mi.
Fíjme sobre les coses especiales en el teu film.
Per exemple, la llave, les coses que l'on ha parlat abans.
C'est especial sobre la fotografia, per exemple?
Per mi, la cosa més important
era tenir una manera molt free,
de treballar,
de passar els estats
i no reproduir un llibre o un script,
però cada vegada reinventar les coses.
Iagre i tot el situatio
i sentir que no, no, no, no, no.
Let's change it
i make it lively again.
I trovo moltes coses.
I think it's important
to trovo coses away,
to trovo idees away
i trovo de les coses aurem
tot i veïn.
La DOP
era molt important
per mi
perquè no ho volia
tenir un llibre
en el film,
perquè ho treballava
amb moltes dansers,
que eren famílies
top dansers,
i ho volia que les
soient libres.
La llibre
era molt important.
Per donar
aquest llibre
vaig trovar
aquest
wonderful DOP
qui m'a permis
de treballar
sans llibre.
d'avui
de
tot
l'energia
que
va
entre
cada
scene.
C'est
un
llibre
de treballar
pour les acteurs
et també
de
DOP.
Il
devia
être
en
service
des
acteurs
d'avui
d'avui
d'avui
d'avui
de
à
l'american.
What's
the message
about people,
about loneliness,
about the place
it's
important.
The place
was inspired.
My father
was an airplane
pilot
and I spend a lot
of weekends
in the canteen
at the airport
so I was not
linked very much
with...
I was linked
nomen's land, where people
are isolated, and
I wanted to find this idea
back to concentrate on
human behaviour, on human condition,
and the big question that I wanted
is where do we come
from, where are we going, who are we,
searching who we are, and
I saw it
in a picture,
a painting of Paul Klee,
it's called like that, and then
finally I said another,
I added something, it's with who
we are going to share
all this life, the choice
of a partner
for me it was very
important to share with,
and
for me
it's optimistic, yeah,
for some people it is, and a lot of people
are saying it's a film who tells
a lot about the public,
like you say, so the film is
optimistic,
some people feel it,
because you choose to interpret
a film, you can
interpret it, it's a lot about
suggestions, I suggest things
that you can, with your own personality,
take out your message,
and the end of the movie
for me is
positive, because
in a certain way,
the message that I wanted to
give is, that sometime you
have to get lost, to find
what you want, and
that life goes like
more zigzag, and
sometimes we want things, but
we don't have them, we don't achieve
them, but
almost,
very often we receive
what we need.
I don't always get what I want,
but what I need.
See, something like this,
something like this.
Because you can always,
you can always get what you want,
but
I don't remember something like this,
I don't remember exactly.
It's a big song of a lot of souls,
yeah.
Follow it.
A last question,
I've read somewhere that
your film has been selected
to participate in the Cannes Festival?
Yeah, it was last year,
it was at the
Semaine de la Critique,
so we finished the movie,
and then we sent it to the Cannes
Film Festival, like,
for weeks,
during the, it was still a work
in progress,
and then it was selected
immediately,
so that was a good start,
and then I won the prize
of the best script
at the Semaine de la Critique,
so,
yeah,
it's almost one year ago,
so it was,
for the first movie,
it was,
like,
wonderful.
And are you still promoting
this movie,
or are you thinking
of another project?
In fact,
that was what I
explained,
the shooting of,
it's a trilogy,
so,
I'm,
continue this story,
and I started with
the beginning of the end
of Lost Persons 1,
so I go on with the girl
and the Hungarian,
and it will be
a second movie,
and I just have to find
a way that people
who has not seen
the first one
could see it
on their own,
so I want to bring
the sequel
into the cinema.
That's all.
Caroline,
thank you.
Thank you.
Thank you.
Ya està,
ha sigut curtet,
però bueno,
ja...