Escoltes Ona Mediterrània, des de la 88.8 de la freqüència modular.
Fins demà!
Bona nit.
Bona nit.
Gràcies.
Volen vespre acaben vostres d'escoltar una versió de l'himne L'Alegria Betovià per part del banjo de Pete Seeger. La cosa funciona així, algú en algun moment escriu un tema musical i després un altre en fa una versió. No podia estar més clara la categoria del nostre programa d'avui, versions. Benvinguts a Copinya de Volta Verda.
Estem escoltant aquesta altra versió, concretament del Hound Dog de Laiber i Stoller, estrenat per Big Mama Thornton i fet mundialment famós per Elvis Presley. La guitarra és de Jeff Beck, justament acompanyat pel fill de Jerry Laiber, Jed. Ja han comprovat que se pot versionar ja qualsevol tema, i també en qualsevol estil. I ara el següent convidat és el rocker Nova Yorkers, Johnny Rivers, amb el clàssic de Chuck Berry, Memphis, Tennessee.
Long distance information, give me Memphis, Tennessee. Help me find a party and try to get in touch with me. She could not leave a number, but I know a place to call. Cause Monka took the message and he wrote it on the wall.
Bona nit.
Fins demà!
Help me information more than that I cannot add. Only that I mess up and all the fun we had. Marie is only six years old. Information please. Try to put me through the hurry of Memphis, Tennessee.
Continuem amb un altre tema de l'Iber i Stoller, concretament Locky Lips, interpretat en primer lloc per Ruth Brown, però la versió més famosa és la de Cliff Richard. I per complicar la cosa, també la va gravar en alemany, Rotelippen-Solmankusen.
Fins demà!
Rote Lippen soll man küssen, denn zum Küssen sind sie da. Rote Lippen sind dem siebten Himmel ja so nah. Ich habe dich gesehen und ich hab mir gedacht, so rote Lippen soll man küssen Tag und Nacht.
Fins demà!
Jeden Abend will sie wissen, ob das auch so bleibt bei mir, dass ich sie küsse Tag und Nacht, dann sage ich zu ihr. Rote Lippen soll man küssen, denn zum Küssen sind sie da. Rote Lippen sind dem siebten Himmel ja so nah.
Fins demà!
Rote Lippen sind dem siebten Himmel ja so nah. Ich habe dich gesehen und ich hab mir gedacht, so rote Lippen, so ein Anküssen da.
La peça de resistència del dia d'avui seran 5 versions de temes clàssics cantats tots per Coni Francis, Concheta Maria Rosa Franconero, ultra popular durant els 50s i 60s amb Who's Sorry Now? o Where the Boys Are.
Avui interpreta I Can Stop Loving You, popularitzat per Ray Charles, Make It Easy on Yourself, The Bacharach i David, popularitzat per els Walker Brothers, Trains and Boats and Planes, també de Bacharach i David, cantat per Diane Warwick, More, el tema de Rizor Tolani per la pel·lícula Mondokane, i finalment The Last Waltz, que va duent Gilbert Humperdinck el número 1 de les llistes en 1967.
Can't stop loving you. So I made up my mind. To live in memory of old and lonely times.
It's useless to say So I'll just live my life In dreams of yesterday Those happy hours
Fins demà!
So I've made up my mind To live in memory Of old moments in time I can't stop walking through And it's useless to say
So I'll just live my life In dreams of yesterday Of yesterday
If you really love her And there's nothing I can do Don't try to spare my feelings Just tell me that we're through And make it easy on yourself
Fins demà!
No words of consolation will make me miss you less. My darling, if this is goodbye, well, I just know I'm gonna cry. So run to hell before you start crying too.
Bona nit.
Fins demà!
We're so in love and high above We had a star to wish if I wish And dreams come true, but not for me The trains and the boats and planes Took you away, away from me
You had to go back a while and then You said you soon would return again I'm waiting here like I promised to I'm waiting here
Trains and boats and planes take you away But every time I see you then I pray And if my prayer can cross the sea The trains and the boats and planes Will bring you back, back home to me
More than the greatest love the world has known
This is the love I'll give to you alone More than the simple words I try to say I only live to love you
Bona nit.
Longer than always is a long, long time. But far beyond forever you'll be mine.
I know I never lived before And my heart is very sure No one else could love you more
I know I never lived before And my heart is very sure
No one else could love you more.
I wondered should I go or should I stay The band had only one more song to play And then I saw you at the corner of my eye Just a girl alone and so shy
Fins demà!
Thought the love we had was going strong. Through the good and bad we'd get along. And then the flame of love died in your eyes. My heart was broken too when you said goodbye.
Fins demà!
La la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la
The last one should last forever.
Més clàssics cantats per una altra dona encantadora. Aquí arriba la liverpolanya Priscila Maria Verònica White, Chilla Black, famosa per sempre per interpretar el tema d'Alfi. Se despenja avui amb una esplèndida You've Lost That Loving Feeling, també del duo Bacharach David. You never close your eyes anymore when I kiss your lips.
There's no tenderness like before in your fingertips You're trying hard not to show it
Oh, that loving feeling. You've lost that loving feeling. Cause it's gone, gone, gone. Whoa, whoa. No, there's no welcome look in your eyes when I reach for you.
Now you've started to criticize the things I do. It makes me just feel like crying.
Baby, baby I'll get down on my knees for you
If you would only love me like you used to do. We had a love, a love, a love you don't find every day.
You've lost that loving feeling Oh, that loving feeling Bring back that loving feeling Cause it's gone, gone, gone And I can't go on Whoa, whoa, whoa
Aquest que vendrà ara és el popular cantant i guitarrista Ohioany, Bobby Womack, amb un tema de repertori clàssicot, però aquí accelerat. És ni més ni manco que el I Left My Heart in San Francisco, popularitzat en 1962 pel crooner Tony Bennett.
The loveliness of Paris seems somehow sadly gay. The glory that was wrong is mine yesterday. I've been terribly alone and forgotten in Manhattan, but I'm going home to my city by the bay. I left my heart in San Francisco. I own a hill it calls to me.
Fins demà!
Bona nit!
Do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-do-
Seguim convidat el gran Billy Joel of the Just the Way You Are y Piano Man, versión entre Leonard Cohen and Beltema Light as the Breeze.
So I knelt there at the delta
At the Alpha and the Omega At the cradle of the river and the seas Like a blessing come from heaven For something like a second I was healed and my heart was at ease
So long for your kiss For something to happen
And you're weak and you're harmless And you're sleeping in your harness And the wind going wild in the trees And it's not exactly prison But you'll never be forgiven For whatever you've done with the keys
Baby, I've been waiting so long for your kiss For something to happen Oh, something like that
It's dark and it's snowing Oh, my love, I must be going The river is starting to freeze I'm sick of pretending And I'm broken from bending I've lived too long on
And she dances so graceful And your heart's hard and hateful And she's naked But that's just a tease And you turn in disgust From your hatred, from your love And she comes to you light as the breeze
For your business, for something to happen
There's blood on every bracelet You can see it, you can taste it And it's please, baby, please, baby, please And she says, drink deeply, pilgrim Don't forget there's still a woman Beneath, less resplendent
So I knelt there at the delta, at the alpha, at the omega I knelt there like one who believes And like a blessing come from heaven For something like a second I was cured and my heart was at ease
Oh, baby, I've waited so long for your kiss For something to happen
Oh, something like that
Habituals versionadors de Bob Dylan eren els mítics Birds de Roger McQueen, però avui els tenim no en bona versió del número 1 de la cosa, sinó del número 2, és el mític Cowgirl in the Sand de Neil Young.
Hello cowgirl in the sand Is this place at your command?
Can I see your sweet, sweet smile Old enough now to change your name When so many love you, is it the same? It's a woman in you that makes you want to play this game Hello, we're really young
Has your man begun to run? After all the sins we've had I was hoping that we'd turn back Old enough now to change your name When so many love you
Fins demà!
Fins demà!
Bona nit.
Els membres de la banda de Soul Psychedelic Chambers Brothers seran els propers convidats. Els quatre germans Chambers interpreten dos superclàssics. El mític People Get Ready, de Curtis Mayfield, i el no manco mític House of the Rising Sun, sense autoconegut però que havent passat per les mans de Woody Guthrie i els animals, de mític Spock.
Fins demà!
No need no ticket You just thank the Lord People get ready For the train to Jordan Picking up passengers
Open the doors and hold on. There's no more.
Bona nit!
Fins demà!
Bona nit.
That was a girl who went down to New Orleans. Didn't go there to stay long, but when she got there, she met a cat on the corner, standing out and talking trash with a little jive chant.
So she stood around the corner and she talked to this cat for a while. And he was really rapid, strong like. Told he had a place around the corner that was his place of business that was pretty well established, which it was. And told her that she should come and work for him in his place. And she did. But she went home after a while. But home was a drag.
What Lessa just told me is that I should tell you that she was a receptionist in the House of the Rising Sun. There is a house in New Orleans
How many poor girls and my little sister thought I was one. Now if she had a little sister
Bona nit. Bona nit.
My baby, my baby sister, oh God, don't do what I have done. Tell her to show that house
I'm going back
to spend my days and be that old rising sun be that old rising sun be me
despedirem el programa amb una meravella la versió que Bo Diddley va fer del I love you more than you'll ever know que el Cooper va incloure dins el primer dit dels fantàstics Blood, Sweat and Tears Child is a Father to the Man que ho disfrutin molt bon i per tant adeu ahoy
If I ever leave you, baby You can say I told you so And if I ever hurt you, baby You know I hurt myself as well Is that any way for man To carry on
I love you. I love you. More than you'll ever know. More.
When I wasn't making too much money You know where my paycheck went You know I brought it home to baby And I never spent one red cent Is that any way for me to carry on
I love you more than you'll ever know. More than you'll ever know. More than you'll ever know.
I just got to hear you say it's alright. Only flesh and blood
But I can be anything you demand I can be president of General Motors, baby Or just a little tiny grain of sand Is that any way for a man? Carry on Thank you one of the loved ones gone Yes, I love you, baby
Fins demà!
Bona nit. Bona nit. Bona nit.
More than you'll ever know More than you'll ever know More than you'll ever know Oh, I love you Oh, I love you Oh, I love you more than you'll ever know
Gràcies!
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